![]() ![]() Then more main plot, followed by a minute of Fusco helping the rookie interview people in the murder, probably setting up his new partnership. In this case, The main plot starts at the beginning of the show with the kidnapping of a child, then there’s a cut to two minutes of Fusco being badgered by other detectives for help with their cases, including one newly promoted guy who asks for help on a murder. Here’s the plot/subplot breakdown (click to expand):Įach square represents one minute of screen time. (If you’ve been watching this show from the pilot in which Fusco was a corrupt cop intending to execute Reese, you know how fantastic this subplot is. The first and only subplot is the team’s fourth member, Fusco, back on the job after his triumph in helping to bring down a huge police corruption ring, now being badgered by everybody who wants his opinion because he is The Man in the department. The main plot is an extortion attempt on a 911 operator to get her to delete a 911 call that could convict someone of murder the PoI team (Finch, Reese, and Shaw) work against the clock (it’s a time lock plot) to find first the child being held hostage and then the mastermind talking to the operator on her headset. Don’t do this for your own stories, it’ll make you insane.) (Important Note: This is NOT a writing technique, it’s a critical approach. The difference was in the way the stories used their subplots, and it was a big difference. ![]() Two of them aired in the past week, the other is several years old, but the basic plot was the same: bring down the mastermind. I watched three TV episodes this week about teams of good guys battling a mastermind who communicated with minions using ear coms.
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